
This is a subject often discussed in the blogging world, and today I thought I'd toss my opinion into the mix.
Yet ... my opinion was soon to be challenged. In one of my literature classes this week we have been reading the essays, interviews, and journals of the author whose work we have been studying. Our next assignment is to find something that stands out to us from any primary authorial text and "connect a dot" to the novel itself. At first, my head was saying ALERT! ALERT! This isn't how to interpret a text! But as I eased into the idea of exploring this author's thoughts about his own work, I found that a little bit of background info was not only extremely interesting, but allowed me to peek inside the author's head to better understand his process in crafting and laying out his story - and ultimately to understand his novel better.
Needless to say, this assignment has made me reevaluate my opinon concerning the relationship of an author to his or her text. Here are some loose conclusions I have drawn:
- An author's opinion on writing in general, what they've said about imagery, symbolism, and/or meaning in their writing, can be used as a help to decode the text. But ultimately, the text must speak for itself.
- A good writer will be aware of literary symbols that appear in the text, and provide evidence within the text for or against it.
- Ideally, the text should be able to be understood by the reader as the author intended it to be without the author ever having to say anything about it.
- A good author will understand that many interpretations are possible, and many good authors will encourage even opposing interpretations.
- One should avoid projecting meaning on to a text, but rather closely study its patterns and connections, while being open to many interpretations and possibilities.
Now comes the fun part: What do YOU, dear reader, think about authorial intent? Has anything an author said or wrote about their work changed how you read it? Do you think it's better to stay away from primary authorial texts in general, or can they be a helpful resource?
Even if you don't have any literary background I'm interested in hearing your opinion! Ready, set, discuss.
Melody · 757 weeks ago
IngridLola14 79p · 757 weeks ago
IngridLola14 79p · 754 weeks ago
frenchlily6 1p · 757 weeks ago
IngridLola14 79p · 757 weeks ago
Kelly · 757 weeks ago
Sorry about the long bit of info on French lit! Just putting in my two cents on this topic :)
IngridLola14 79p · 757 weeks ago
ConnieGirl 69p · 757 weeks ago
Kelly · 757 weeks ago
Birdy · 757 weeks ago
I also agree with Barthes to some extent that the author is dead. Because once the text leaves the author, as you said it stands on its own. But for it to gain meaning, the reader must imbue feelings and thoughts on to it. Which gives rise to multiple interpretations. While doing so if the reader does come across and acknowledge the author's intentional meanings then the author is reprised. I don't know if I am making sense in my jumbled response! :)
Do keep posting more of such thoughts, I enjoy these!
ConnieGirl 69p · 757 weeks ago
Very excellent point, bringing up Barthes -- very relevant. I suppose it is just difficult to ever KNOW the author's meaning, even if they give it outright in a primary source. For example, in Edgar Allen Poe's "Philosophy of Composition," he describes in detail how he went about writing "The Raven." However, many people still wonder whether or not he is telling the truth, and that controversy alone has given rise to many interpretations of his supposed CLARIFICATION. So I am not entirely sure if it IS possible to "come across and acknowledge the author's intentional meanings." It does get very speculative, even when it seems clear.
Birdy · 756 weeks ago
ConnieGirl 69p · 757 weeks ago
I suppose I've shared many of my thoughts in my replies to other comments, but I want to add to it further --
Part of me believes in Barthes' death of the author -- that is, once the author has written something, it becomes public domain, and the author no longer has control over the "meaning" of his or her text.
A good example of this would be when JK Rowling said that she always saw Dumbledore as gay. Well, I, as a long-time reader, have by now created my OWN Dumbledore from her text, and I rejected that analysis, even though it was straight from the author's mouth! At a certain point, the reader owns a text, and an author's analysis becomes just another analysis.
However, as a student of literature, I do enjoy studying the life of writers to give deeper meaning to their texts. For examples, Virginia Woolf's Orlando -- of course, the ONLY reading is not as a love letter to her female lover, Vita Sackville-West, but if one had not studied Virginia Woolf's life and known about that affair, the text would certainly read differently. So studying her life along with her works, I think gives me a deeper understanding both of the text (at least in one interpretation or reading) as well as the author's life!
Even if an author is not writing directly about an event that happened in his or her life, I think their life comes across on the page regardless. In the JK Rowling interview (I've got Harry Potter on the brain, clearly) she says that her mother's death, for example, is on every page of Harry Potter -- EVEN WHEN IT'S NOT TALKING ABOUT DEATH. The problem that arises, obviously, from this assumption, however, is determining what unintentionally reveals about the author and what does not.
And it all gets very complicated.
thefriande 29p · 756 weeks ago
It's funny because I just wrote a post on learning about Thomas Hardy from his work, so I guess the author-text interpretation goes both ways. Particularly when I'm reading a classic by a long dead author - to me, they're almost like another character & I love learning about them. Probably because I'm a dork :)
Great post!
Mayowa · 756 weeks ago
I;m with thefriande...purely text based interpretation. Sometimes a I enjoy a book so much I want to know more and then I read up on the author.
David H · 756 weeks ago
Authorial intent is an interesting question, particularly these days, when the thoughts of authors can be so easily accessible. I tend to think that it's interesting, and can be illuminating, to know what an author intended when writing a book; but it shoudn't become the be-all and end-all -- I'd agree that the text has to stand apart from the author.
Ona related note, though, I do think it's useful to know something of the historical context when reading the classics in particular.